Italian Painter, active ca.1492-1507,Italian painter. He was first recorded in 1492 as one of several assistants to Giovanni Bellini in the Doge's Palace in Venice; in an inscription on his earliest known work, a damaged Virgin and Child with Saints and a Donor (1495; Zadar, St Mary, Treasury), he called himself a pupil of Gentile Bellini. Visual confirmation of his close association with both Bellini brothers is provided by the rather large number of his signed and dated works, many of which are closely based on compositional motifs by Giovanni, but which in their linearity and angularity more closely resemble the style of Gentile. The influence of German art, and of Derer in particular, has often been noted in the sharply focused and densely packed details, the harsh modelling and the expressive ugliness found in much of Marziale's work.   Related Paintings of Marco Marziale :. | Muscle structure of the thigh | La Gineste Road | Portrat des Joachim Murat | The Jewel Casket | landakapsstudie fran richmond |
Related Artists:
Otto Scholderer
(25 January 1834 - 22 January 1902) was a German painter. He was born in Frankfurt am Main. On completing his schooling, Scholderer went to the Städel academy of arts in 1849, where he remained until 1851. Among his teachers were the art historian Johann David Passavant and the painter Jakob Becker. Subsequently, Scholderer established himself in Städel as a freelance painter. During this period his friendship with Victor Meller began; Scholderer became his brother-in-law in 1868. Through Meller, Scholderer became acquainted with the works of Gustave Courbet. Scholderer made several short study trips to Paris between 1857 and 1858, where he became friends with Henri Fantin-Latour and Édouard Manet, whose influence can be seen in his subsequent work. Fantin-Latour depicted Scholderer in his picture Studio aux Batignolles . Starting from 1858, Scholderer worked and lived predominantly in Kronberg in Taunus, where his colleagues included Anton Burger, Peter Burnitz and Louis Eysen; he was close to the Kronberger painter colony. In 1866, Scholderer established himself in Desseldorf and made friends with Hans Thoma. With Thoma, Scholderer went in 1868 to Paris and returned to Germany only shortly before the outbreak of the French-German War. First Scholderer established himself in Munich, renewing his friendship with Wilhelm Leibl and becoming one of the artists of the Leibl-Kreis (Leibl circle). At the beginning of 1871 he went to London and worked there till the autumn of 1899. After 1899, Scholderer returned to his hometown of Frankfurt, where he died at the age of almost 68 years on 22 January 1902. Otto Scholderer's art, initially dominated by landscapes, later consisted primarily of portraits and still lifes. The important connection between the romantic period and the Impressionists is evident in his work.
Johann Koler
(8 March 1826, in Vastemõisa near Suure-Jaani, Viljandi County, Estonia - 22 April 1899 in St. Petersburg, Russia) was an Estonian painter. He is considered to have been the first professional Estonian painter. He distinguished himself primarily by his portraiture and to a lesser extent by his landscape paintings. Some of his most notable pictures depict the Estonian rural life in the second half of the 19th Century. Johann Köler was the seventh child born to a peasant family. Despite the poverty of the parents Köler managed to attend the elementary and the district schools in Viljandi. Then he attended a workshop of master painters in Cesis (then in Livonia). In 1846, Köler travelled to St. Petersburg to work as a sign writer, where his talent was soon discovered. From 1848 to 1855 Johan Köler studied drawing and painting at the St. Petersburg Imperial Academy of Arts. During 1857 Köler travelled to Paris via Berlin, later returned to Germany then travelled to the Netherlands and Belgium. In 1858, he travelled across the Alps to Milan, Geneva, Florence and Rome. There, he studied in a private academy and devoted his time to watercolor technique. In Rome during 1859 he presented his composition "Christ on the Cross". Answering the call of the St. Petersburg Academy of Arts, Köler returned to the city in 1861. From 1862 to 1874 he was a teacher of the Grand Duchess Maria Aleksandrovna, the daughter of Czar Alexander II of Russia. In 1869-1870, he worked as a lecturer at the St. Petersburg Academy of Arts. From 1886 to 1889 Johan Köler worked in Vienna, Nice and Paris.
NIEULANDT, Adriaen van
Flemish/Dutch painter (b. 1587, Antwerpen, d. 1658, Amsterdam).