Italian Painter, active ca.1492-1507,Italian painter. He was first recorded in 1492 as one of several assistants to Giovanni Bellini in the Doge's Palace in Venice; in an inscription on his earliest known work, a damaged Virgin and Child with Saints and a Donor (1495; Zadar, St Mary, Treasury), he called himself a pupil of Gentile Bellini. Visual confirmation of his close association with both Bellini brothers is provided by the rather large number of his signed and dated works, many of which are closely based on compositional motifs by Giovanni, but which in their linearity and angularity more closely resemble the style of Gentile. The influence of German art, and of Derer in particular, has often been noted in the sharply focused and densely packed details, the harsh modelling and the expressive ugliness found in much of Marziale's work.   Related Paintings of Marco Marziale :. | Baptism of St Zenobius and His Appointment as Bishop | The dressing room | Hand Duality 2 | Christian Krohg's painting of Leiv Eiriksson discover America, 1893 | Italian landscape |
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Thornton Oakley
an illustrator,American , 1881-1953 was an American artist and illustrator. Thornton Oakley was born March 27,1881, in Pittsburgh. He studied at the University of Pennsylvania and received B.S. and M.S. degrees in architecture in 1901 and 1902. He first studied with Howard Pyle in 1902 at Chadds Ford in the mill, and described his first day there in a talk given at the Free Library in Philadelphia in 1951: "There we four - my new cronies - Allen Tupper True, George Harding, Gordon McCouch and I - made our first sketches from a model, and our efforts were frightful to behold! Not one of us had had a palette in our hands ever before: I had not the least idea as to procedure. My attempts were terrifying to behold, and when H.P. came to me to criticize my work he paused for a long, long time before speaking, and I know that he must have been appalled." Oakley studied with Pyle for three years. Oakley became an illustrator and writer for periodicals, including Scribner's, Century, Collier's, and Harper's Monthly. In the years 1914-19 and 1921-36 he was in charge of the Department of Illustration at the Philadelphia Museum School of Industrial Art. In 1914-15 he also taught drawing at the University of Pennsylvania, and gave lectures at the Art Institute of Chicago, the Metropolitan Museum of Art, and the Curtis Institute. He was a member of the jury of selection and advisory committee of the Department of Fine Arts at the Panama-Pacific International Exposition in San Francisco in 1915 and the Philadelphia Sesquicentennial Exposition in 1926.
Robert Brough
(1872 - 21 January 1905) was a Scottish painter born in Invergordon, Ross and Cromarty. He was educated in Aberdeen, and, whilst apprenticed for over six years as lithographer to Messrs Gibb & Co., attended the night classes at Gray's School of Art. He then entered the Royal Scottish Academy, and in the first year took the Stuart prize for figure painting, the Chalmers painting bursary, and the Maclame-Walters medal for composition. After two years in Paris under J. P. Laurens and Benjamin-Constant at Julian's atelier, he settled in Aberdeen in 1894 as a portrait painter and political cartoonist. A portrait of Mr. W. D. Ross first drew attention to his talent in 1896, and in the following year he scored a marked success at the Royal Academy with his Fantaisie en Folie, which he bequeathed to the National Gallery of British Art (now the Tate gallery). Two of his paintings, Twixt Sun and Moon and Childhood of St. Anne of Brittany, were at the Venice municipal gallery. Brough's art was influenced by Henry Raeburn and by modern French training, but it strikes a very personal note. Brough died from injuries received in a railway disaster in 1905.
Roussel Charles
French , 1861-1836